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If You Could See What I See
Geoff Moore & The Distance

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"If You Could See What I See"
By Geoff Moore and the Distance
Copyright © 1993 Starstruch Music
Transcribed by Alexander Chen
thatalex@aol.com
http://members.aol.com/thatalex/
------ (Read File in Courier Font!) ------
For two standard-tuned six-string acoustic
320033 G
024030 Em2,7
022030 Em7 or 020030 or 020033
022000 Em or 022003
X30033 C2 or X32033
XX0233 Dsus
200233 Dsus/F#
XX0232 D
XX0230 D2
20403X D*/F# (Dno3,sus/F#)
200230 D2/F#
X42200 A2/C#
X20033 G/B
X02210 Am
X02200 Am2
X24232 Bm
G Em7 C2 Dsus-D
G Em7 C2 Dsus-D
G               Em7
|---------------------------------|
|---------------------------------|
|-----2h4-2-4--------2h42-0---0---|
|---0---------0----0--------4-----|
|---------------------------------|
|-3--------------0----------------|
C2            D(sus)
|-------3---3-------3-2h3p2p0-----|
|-----3---3-------3-----------3---|
|---0-----------2---------------2-|
|-------------0-------------------|
|-3-------------------------------|
|---------------------------------|
G               Em7
|-----5s7-5-7--------5s7-5--3-2-3-|
|---------------------------------|
|---------------------------------|
|---------------------------------|
|---------------------------------|
|---------------------------------|
C2            D(sus)
|-------3---3-------3-2h3p2p0-----|
|-----3---3-------3-----------3---|
|---0-----------2---------------2-|
|-------------0-------------------|
|-3-------------------------------|
|---------------------------------|
#h# = hammer on from fret# to fret#
#s# = slide from fret# to fret#
#p# = hammer off (pull) fret# to fret#
note: on C2 and D(sus), guitars play same part
note: bass comes in on repeat
note: repeat varies slightly, without grace
notes on D(sus)
G D*/F# Em2,7 D C2 D G D/F#
G D*/F# Em2,7 D C2 A2/C# D2 D2
rough transcription, not exact
G                  D*/F#
|-------------------------------------|
|----------------------------3--------|
|-----0---0h2-2h4-2--------2----0---0-|
|---0---0------0---------0--------4---|
|-------------------------------------|
|-3--------------------2--------------|
Em2,7             D
|----------------------------------|
|-------3--------0-----------------|
|-----0-----0--------2p0h2---0---0-|
|---4-----4--------0-----------4---|
|----------------------------------|
|-0--------------------------------|
C2              D
|-----------------------------|
|----3----------------3-------|
|--0----0h2-2h4-2---2---------|
|-----------------0-----4-2-0-|
|-3---------------------------|
|-----------------------------|
G            D/F#
|---------------------2--0-----|
|-------3-----------3------3---|
|-----0-----0-----2------------|
|---0-----0--------------------|
|------------------------------|
|-3-------------2--------------| ... ...
#h# = hammer on from fret# to fret#
#p# = hammer off (pull) fret# to fret#
note: there may two guitars playing a
mixture of the above tab
note: one guitar follows the melody almost
note by note
note: obviously the part continues, but it
would take forever to tab
G Em7 C2 C2-D
G Em7 C2 C2-D/F#
Em7 D/F# C-G/B-Am-G
C2-G/B-Am2 D/F#
G Em7 C2 Dsus-D
C2 C2 G/B G/B
Em Bm7-Em
Am-G/B-C-D2
two options for playing SOLO:
1. HIGHER POSITION SOLO electric
G          Em7
------|--------------------------|
------|--------------------------|
------|--------------------------|
----5-|-5s7-5----5-5s7-7s9-7-5---|
-5h7--|-------5h7--------------5-|
------|--------------------------|
C2           D
|----------------------------|
|----------------------------|
|----------------------------|
|--------------------------5-|
|-5s7-------------------5h7--|
|----------------------------|
G          Em7
|--------------------------|
|--------------------------|
|------------------7-------|
|-5s7-5----5-5s7-7---7s9-7-|
|-------5h7----------------|
|--------------------------|
C2           D
|----------------------------|
|----------------------------|
|----------------------------|
|-5h7p5----------------0h2p0-|
|-------5h7-7-------0h2------|
|----------------------------|
2. or LOWER POSITION SOLO electric
G          Em7
------|--------------------------|
------|--------------------------|
----0-|-0h2-0----0-0h2-2s4-2-0---|
-0h2--|-------0h2--------------0-|
------|--------------------------|
------|--------------------------|
C2            D
|----------------------------|
|----------------------------|
|--------------------------0-|
|-0h2-------------------0h2--|
|----------------------------|
|----------------------------|
G          Em7
|--------------------------|
|------------------3-------|
|-0h2-0----0-0h2-2---2s4-2-|
|-------0h2----------------|
|--------------------------|
|--------------------------|
C2           D
|----------------------------|
|----------------------------|
|-0h2p0----------------------|
|-------0h2-2----------0h2p0-|
|-------------------0h2------|
|----------------------------|
#h# = hammer on from fret# to fret#
#s# = slide from fret# to fret#
#p# = hammer off (pull) fret# to fret#
note: the higher position has more accurate slides
note: the vocals fill in spaces in the
middle of the solo
G Dno3/F# Em2,7 D2 C2 D2 G
Transcribed by Alexander Chen (04/23/98)
thatalex@aol.com
For more transcriptions and more, visit ...
http://members.aol.com/thatalex/
(This file is the author's own work and represents
their interpretation of the song. You may only use
this file for private study, scholarship, or research.)
printed from https://www.1christian.net/rwtc
 



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